Its convenient Position control allows you to find the perfect placement for reverb in the mix, whether front and center or back in the background. SP2016 Reverb features six vintage and modern reverb algorithms to suit a variety of tastes. This baby sounds just as good as the original hardware version.īut at core, it’s also very simple. And, ideally, it can be used on everything.Īgain, Reaper has some great built-in effects, but if you’re looking to step up your reverb game, Eventide’s SP2016 Reverb is well worth considering. And it'll be modulated by the sound of your voice.Sooner or later, almost every producer goes looking for a smooth, powerful, customizable reverb that sounds good without all the fuss of endless dialing. If your carrier signal is holding down a sustained note or chord, you'll only hear it when you speak into the mic. ![]() Now you can arm both tracks for recording (or just the vocoder track, if you've mouse-clicked your way through creating something in piano roll). You don't want to hear the carrier unless the modulator is actually doing something. And while you're here, uncheck the "Master send" checkbox in the upper left corner. Change it to say "Audio: 1/2 -> 3/4" because input 3/4 is where ReaVocode and TAL will expect the carrier signal to be on the vocoder track. That means that this track is sending its output channels 1&2 to the other track's input channels 1&2. At the lower left corner of that box, it says "Audio: 1/2 -> 1/2". Once the send is created, a new box will appear. Click the routing button on this track and add a send to the other track that has your vocoder on it. This will be your carrier signal, so put some sort of synth lead or pad on this one for now. This will be your modulator channel, so this is the track that you'd arm and record your voice through. Click the routing button on the track and from the Track Channels drop-down, select 4. In Reaper, you'll need to put the vocoder FX on a track and change the number of inputs on that track to 4 instead of the default 2. The complication is that you need to add additional channels to the vocoder track so it can receive the carrier signal. It's the same concept as sending a vocal track to a dedicated reverb track, for the most part. ![]() The main concept to understand is that you're sending from one track to another in order to feed the vocoder both the carrier and modulator signals that it needs in order to work. TAL and ReaVocode can both accept external carrier signals from whatever source you like, and they're free. ![]() And it can't accept an external carrier, only its built-in carrier signals (or if it can, it's doing it in a non-standard way that I could never figure out). Move on to others once you've got the concepts under control and can fiddle around a bit more effectively. Maybe start with ReaVocode instead of TAL, because it'll make first-time setup a bit easier. The modulator signal is what will give the vocal-like formants to the vocoder, so you'd most likely use your voice. The carrier signal is what you'll actually hear out of the vocoder, so you'd use something like a synth or a guitar or something as the carrier.
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